Objects and Non-Traditional Media in Art Essay Example | Topics and Well Written Essays - 1500 words

Objects and Non-Traditional Media in Art - Essay ExampleThis trend continued into the 19th hundred as Vincent Van Gogh experimented with impression, and well into the twentieth century, as artists much(prenominal) as Pablo Picasso and later Jackson pollock revolutionized the moderate through increasing forays into abstract modes of expression (Gombrich, 1994). turn the subject matter of these visual whole caboodle greatly changed over time, their overriding medium remained largely constant. Through conceptual and minimalist movements, art in the second half of the 20th century began to step outside the canvas-painting trend (Osbourne 2011). Today artists regularly subprogram or manipulate objects and non-traditional media in creating art. Through a consideration of intentions and methods, this essay examines artists implementations of such objects and non-traditional media. Perhaps the 20th centurys most prominent non-traditional medium is assemblage art. This specific art for m establishes 2 or three-dimensional art forms by combining found objects (Lockhart 2010). In better understanding the structural nature of this art, one considers that its parallel in literature is stories or novels formed from already existing texts (Lockhart 2010). While assemblage art forms date to as early as Picassos early 20th century cubist constructions, the term was first articulated in the 1950s after Jean Dubuffets produce assemblages dempreintes (Lockhart 2010). ... While assemblage art refers to a specific type of non-traditional production, one also considers the implications of transcending mainstream modes of artistic expression. In gaining interpretive insight into such an event, it is necessary to step outside traditional art criticism into perspectives that analyse the broader media. One of the most seminal such perspectives in this arena is that of Marshall McLuhan. McLuhan (1964) argued that the medium is the message. While such a statement makes a variety of complex arguments, one element is that the very nature of the medium necessitates shifts in meaning. When such a perspective is extended to artists working in non-traditional mediums, one comes to recognize that such expression not only functions as a means of the artist creating a unique work, exclusively is necessary to capture the increasingly complex cultural signs operating within modern social contexts. It entrust be seen that the central thorough-put in assemblage and non-traditional art is an effort to codify and comment on this complexity. When considering the occasion of non-traditional forms of expression one of the seminal early assemblage artists is Joseph Cornell. Cornells work largely was created around the mid-20th century, pave the way for future forays into assemblage (Soloman 1996). While the Cornells exact motivation for venturing into non-traditional mediums is unknown, today his work carries with it a haunting, yet characteristic aesthetic (Soloman 1996) . Cornells work mainly centered on small boxes that he would meticulously fill and arrange with objects. Fig. 1 below is an image of Cornells 1950 work Planet Set. From musing one recognizes the highly uncharacteristic and unique assemblage of