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Sunday, February 17, 2019

Analysis of Edgar Allan Poes The Raven Essay -- Egar Allan Poe Raven

Analysis of Edgar Allan Poes The downEdgar Allan Poes The Raven, though parodied, republished, and altered myriad times, has withstood the test of time as one of the most recognizable and illustrious works of poetry in the English language. Carefully measured stanzas with a fascinating rhyme scheme embedded throughout, together with the unique and wholly individualistic style of its author, are but a few of the elements that flow to elevate this poem in the public eye. It reaches an as-yet-unparalleled plane of poetic excellence. It is imperative, then, for the reader to understand that the conflict presented in The Raven is not the comm plainly-assumed Man vs. Animal, as though to embody the plight of the man as he pits himself against the low-spirited and daunting raven who crouches before him, but rather Man vs. Himself. Unfortunately, a sad mistake is predominantly concluded upon by the public at large as they study this piece. Many readers view the titular fiber as being the sinister, twisted daemon sent from hell to jaw its host. This, while at a preliminary reading may bug out to be the case, is not the theory widely accepted both by scholars and serious contemporary students. The repeated negative answer is not a warning, prophecy, or ill-spoken omen. The bird is no oracle. Poe himself tells us that the creatures only stock and store, / Caught from some unhappy master whom unmerciful disaster / Followed prompt and followed faster till his songs one burden bore- / Till the dirges of his Hope that mourning burden bore is, in fact, Never- nevermore (62-66). It is interesting to note that Poe primitively postulated placing a parrot in this role, but opted for a raven as equally ... ...eming of a demons that is dreaming,And the lamplight oer him float throws his shadow on the floorAnd my soul from out that shadow that lies drift on the floor Shall be lifted- nevermore This work deftly captures the inwards and hidden desire that all men and women face in the swirl of grief that accompanies the death of their true acknowledge. As has been noted, it is not the raven that carries with it the agony. The raven is merely the catalyst, acting upon the pent-up agony that already exists within the breast of the narrator. Here we find true, seldom-revealed human nature in striking clarity. The Raven is as timeless as it is human, and as long as lovers love and the living die, it will remain a horrifyingly accurate representation of life as many would not care to admit. Therein lies its strength, and therein lies its beauty.

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